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Archive for the tag “Jim Nabors”

B-listers, YouTube, and tradition at IMS

Who says there is no news coming out of the Verizon IndyCar Series?  A decision that could affect the Indianapolis 500 for years to come was a front page headline in a recent Indianapolis Star: “New track tradition – Straight No Chaser replaces Nabors on iconic song.”  Yep, the choice of a new voice, or voices in this case, to take the place of Jim Nabors singing “Back Home Again in Indiana” pushed important news to another page.  What this says about our society is another discussion, but what it says about the tradition of the Indy 500 is loud and clear.  It matters.

Oh, there will be haters on multiple issues.  Some IndyCar fans get all frothy over the fact that one race holds so much sway over the public’s perception of the series.  Their stance is that the 500 is just one more race on the schedule, and the PR it gets for things like who belts out a traditional song actually hurts the series and other venues and races.  I’m on the side of the cash cow splashing down in the ocean creating a rising tide that lifts all ships on this one.  I’m not quite sure how you make other races and venues more popular by making arguably the most well-known race in the world less popular.

Then there are the loyalists who recommended using a video of  Jim Nabors singing “Back Home Again in Indiana” in perpetuity, presumably because they thought the idea that a perennial B-list actor and singer was as good as it was ever going to get in Indianapolis.  Truthfully, Jim Nabors’ baritone and his second tier stature worked very well for the race.  There was no way he was ever going to be more important than the song or the tradition itself.  In fact, he had become a hipster’s ironic ideal.  Nabors was just schmaltzy enough to be cool.  He had a good run.

There were some interesting suggestions for the replacements  One was the Indianapolis Children’s Choir, who are top notch.  I just had this sinking feeling about some 10-year-old asking his or her choir director some very difficult questions about aberrant human behavior.  I even endorsed Mike Rowe of Dirty Jobs fame, a trained opera singer.  He fit the Jim Nabors B-list criteria of not now or ever being bigger than the song or the moment.  And he was a baritone, too!

Which brings us to the new choice, the a cappella group Straight No Chaser.  They were formed at Indiana University and became famous for a version of “The 12 Days of Christmas” that went viral on YouTube.  Now that’s mixing traditional with modern.  They are an inspired choice.  They went to IU.  They understand the importance of the song to the predominantly Hoosier crowd.  They get the tradition.  They are young.  They are cool.  I want to be churlish and find something to dislike, but they are really, really, good.  Take a look at them singing “Back Home Again in Indiana” at this YouTube link.

The fans watching on ABC will absolutely love them.  Let’s hope the video and audio upgrades work well out in the hinterlands of Turn 3 and the writhing humanity of the Snake Pit, too.  Of minor consideration is the fact that an a cappella group not only sings the songs, but they also make their own music with their voices.  This might leave the Purdue band, the accompaniment on this song for years, out of the picture.  I’m sure the Indiana University grads of the group will get some pleasure out of that.

So here’s to a long tenure and the beginning of new tradition.  Cars, drivers, fans, and facilities change.  The inevitability of time demands it.  Traditions like singing “Back Home Again in Indiana” are the sinews that keep us connected to the past and the future.  Thanks for the good news, IMS.  It was worth the wait.

 

 

 

The good, the bad, and the ugly of the 2014 Indianapolis 500: Part I – the good

The new month of May at the Indianapolis Motor Speedway is behind us, and as the sunburn, hangovers, tenderloins, and poor choices recede into our memories, it is best that we all reflect on the events before they fade away completely.  So as not to break any new ground with creative thought, I would like to look at recent events through the conceit of the Clint Eastwood movie The Good, the Bad, and the Ugly.  This three part series will look at one aspect each day.  Today, we look at the good.

The Good

1.  Ryan Hunter-Reay is absolutely going to be a good Indy 500 champion.  I have always been rather lukewarm towards RHR.  He seems to say the right things and avoids controversy.  Fair enough.  His two passes of Helio Castroneves for the lead in the closing laps of the 500 were gutsy and aggressive and belied his rather vanilla persona.  When Castroneves throws his samba blocking moves on, he’s more than tough to get around.  Hunter-Reay’s quotes in Victory Lane showed an emotion previously kept hidden and that, along with his refreshing honesty, resonated with me.  He truly gets the 500.

2.  Hunter-Reay said in his post race interview that he was “a happy American boy.”  Although it may seem jingoistic, an American winning the 500 is important to a series that currently runs all but one race on American soil.  The lifeblood of the Verizon IndyCar Series is the red, white, and blue flag waving fans that were in abundance on Memorial Day in Indianapolis.  We can only hope that the series is able to capitalize on this American winner of the 500 more than they did the same winner of the series in 2012.  Wait, did I snarkily offer a “bad” in here?  Sorry.  I will try to stick with the script.

3.  As expected, the racing was great.  What more do the fans want?  There were multiple passes for the lead, including those by RHR and Castroneves in the closing laps that required more than a little sand.  The cars once again protected drivers like Scott Dixon and Townsend Bell in HARD hits.  Give me safety over aesthetics any time.  Fie on the fans who decry this ugly beauty.¹  The DW12 is a great race car, no matter how it looks.  And it is ugly.

3.  The red flag at the end of the race, while unexpected and without precedent, was good for the fans in attendance and the TV audience.  As a traditionalist in general, I initially thought that one more IMS accepted protocol was going down the drain.   But after seeing the debris from Townsend Bell’s crash and watching the SAFER barrier being repaired, I realized it made the race better.  Change is sometimes good, even if it causes apoplexy in the hard-core constituency.  Who knew?

4.  The crowd was not just good at the race, it was great.  The Coke Lot was full at 7:30 AM as we arrived at the Speedway.  I have not seen that in 25 years.  Of course the downside of that is the Coke Lot was full of Coke Lot type denizens at 7:30 AM.  Estimates  of the crowd were up to 230,000.  Don’t let those empty seats fool you.  The place was full.  The lines to get into the facility that made life miserable last year were not issues.  The purchased parking credentials in the North 40/Lot 7 were another story, though.  Dang.  There I go again with the snark about one of the “bad” issues.  An official for the Speedway told me that ticket sales were up 25% this year.  Indy is back, baby.

5.  Although the commercials on ABC seemed interminable after I got a chance to watch, the pre-race portion is still the best around.  The network wove in Memorial Day, human interest, and race goodies in just the right proportion.  Watching the race in HD, particularly the in-car shots, is absolutely thrilling.  Although not “bad” by definition, I do find the constant video and interviews of the WAGS a little cloying.  Nobody ever yells “Show us the wives and girlfriends for god’s sake!” as a race winds down.  Nobody.  Ever.

6.  The pre-race ceremonies at IMS for the 500 are nonpareil.  If you have never witnessed it in person, put it on your list.  The fact of the meaning of Memorial Day is always there, as it should be.  I hope that IMS, in its quest for more profit, never turns the pre-race into a sponsored circus to make a quick buck.  It is already the gold standard.  Keep it that way.  With that said, I really will miss Jim Nabors, a B-List singer and actor who found a home in Speedway, Indiana on Memorial Day weekend.  He sang “Back Home Again” the right way.  Please IMS, don’t bring in an oddball assortment of record label sponsored train wrecks to audition.  Find another baritone who gets Indy and can make it each May for the next 30 years or so.  The name is not as important as the song.  Do NOT mess this up.

7.  The month of May is back as an event in Indy.  After years of condensing the month due to lack of fan interest, the gang in the blue glass edifice on 16th and Georgetown finally packed in enough activities to interest new fans.  The Grand Prix of Indianapolis, the new Time Trials weekend, Carb Day, the Jason Aldean concert, glamping, and the electronic dance music in the Snake Pit on race day all added fans through the turnstiles.  The numbers for the month could be pushing 350,000 fans.  Do the math.  More fans = $$$.  $$$ = more racing.  More racing = happy fans.  Repeat.

That’s the good, great, and just okay as well as some sub-textual bad that just keeps popping up.  Sorry about that.  Tomorrow brings the defined “bad” of the race.  And possibly a little more snark.

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¹  In my continuing effort to bring culture to racing, I used the oxymoron “ugly beauty” to describe the Dallara DW12.  An oxymoron is when two opposite terms are used together for effect.  Old Billy Shakespeare used them often when describing bear-baiting and cock fights, so there is some tradition of sporting usage.

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